I am broad-certified in drama arts. Engineering drama within the performing arts, film, community and cultural development for +12 years. My drama-praxis as such is based partly on conceptual research, partly on empirical experimentation. And all of this, in turn, is true serendipity science. To be frank, I work for the drama, the play, the story, not for the artist. Frankness is essential between collaborators.
Actors, performers, directors, dancers, choreographers, visual artists, curators, companies, groups, collectives.
Dramaturgy services, including but not limited to: being an inside-outside eye for the audience, offering advice on narrative scaffolding, script development, coaching cast, and tracking and assisting rehearsals.